Jamaican Intuitives




Jamaican Intuitives 

13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively, They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part selftaught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.

Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.

Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be s one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.

Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.

Birth ‘Ras Dizzy’ Livingstone c1932 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

For further information please contact Charlotte C Mortensson: cmortensson@aol.com

Gallery open Tuesday-Friday 1-5pm, Saturday llam-4pm, Sunday llam-5pm; closed Mondays.

Admission free.



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Massive turnout for Jamaica in the Square

Massive turnout for Jamaica in the Square
by Poppy Brady

THE HEART of Birmingham was transformed as up to 30,000 people helped Jamaica to celebrate its 55th anniversary of independence from British colonial rule on August 6.

The city’s famous ‘Floozie in the Jacuzzi’ statue was barely visible among the crowds, but she looked more laid back than usual – as if she too was enjoying the vibe of Jamaica 55 at Jamaica in the Square II.

At Sunday’s flag-raising ceremony, the disappointment of Bolt’s 100m defeat to Gatlin the night before seemed to have dispersed on the breeze like the cooking smoke from scores of barbecues dotted around Victoria Square.

HOLD ‘EM HIGH: The Jamaican flag was raised during the ceremony on August 6 in Birmingham (image credit: Tony Brady)

When the flag of Jamaica was hoisted aloft by Royal Navy officers during a ceremony full of pomp and praise, it was clear this was a party in full swing with a final free open air concert to look forward to.

Organiser Dean Alexander was close to tears with relief and pride that the three-day festival, which began on Friday, had been as successful as Jamaica in the Square I in 2012 when Birmingham hosted the Jamaica track and field team in the fortnight before London 2012.

COME RAIN OR SHINE: Revellers were out in full force to celebrate Jamaica’s55th independence on August 6 (image credit: Tony Brady)

As Bishop Dr. Derek Webley said in his ceremonial message:“Birmingham is the greatest city to be in today. The people of Birmingham know howto party – let us celebrate 55 blessed years of Jamaica and give thanks for the land we love.”

The two-hour ceremony, sponsored by Victoria Mutual, the Royal Navy, Diamond Travel, and the Association of Jamaican Nationals (Birmingham) UK, was the grand finale to a three-day family festival highlighting Jamaica’s 55th anniversary, which had the theme this year of celebrating Jamaicans both at home and abroad.

Councillor Sybil Spence, who became Birmingham’s first black Lord Mayor in 1997 told the crowd it was ‘so good’ to be reminded of Jamaica’s independence, as it was an event no-one should forget.

PROUD: Shakera Green, left, with Pauline Wedderburn, came out to enjoy the day (image credit: Tony Brady)

Reverend Jonathan Jackson added:

“Jamaica has so much richness not only in the ground, but in its people. The people are out saints, our champions, our heroes – we need to remember their greatness.

“The next generation need to know where they came from so they can chart their own way to their destiny – out of many one people.”

Youngsters from the 30th Birmingham Boys’ Brigade and Girls Association recited the National Pledge and there was entertainment from Patricia Panton, Miss P, Brothers United in Christ, Jam Folk and Saxophonist Millicent Stephenson.

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